Promoting at the Movies
by Dotti Enderle
Admit it. We've
all done it. Who hasn't sat in the movie
theater fifteen minutes before show time, popcorn and Coke
in hand, watching the ads and trivia flashing with synchronicity,
and imagining our book covers up there? Haven't
we all dreamed at one time or another of having our books
at the movies?
Months before the release of my first book, The Lost Girl, I decided to
make that dream a reality. After all, how
expensive could it be to have my own ad up there with all
the local realtors and dentists? My mind made up, I paid
particular attention the next time I went to the cinema. After
a dozen or so advertisements, the one I needed appeared. "To advertise
on this screen call 1-800-SCREEN1." I quickly
jotted it down.
Although I didn't get home until 10:30 that night, and it was a Friday,
I still called. I got a recording asking me to
leave my name, my business name, and phone number.
Someone would get
back to me in two or
three business days.
That next Tuesday, I
got the call. Being
just an author, and
not a realtor or dentist,
I didn't think the
saleslady would take
me seriously. Of course
my main concern was
cost. She put my mind
at ease saying, "You
can have two weeks
of screen time for as
little as $400.00." Just
$400.00? That's great!
After all, my book
was the first of a series,
and promoting book
one would be promoting the entire series. I assured myself
that in the long run, it would be worth every penny. The
saleslady set up a lunch date with me so we could go over
the specifics. I dressed up, gathered my book cover graphics,
business cards, and checkbook. After all, I was planning
to write that $400.00 check on the spot.
We agreed to meet at a local salad bar near my chosen theater. Why that
particular theater? It was a mall cinema
in an upper middle-class family area with two chain bookstores
next door, and one a half-mile down the road. It was
a win-win situation.
I eagerly showed up at 11:30 as agreed. I waited by the door until 11:35,
then went ahead and bought my salad. I sat eating for another ten minutes.
At approximately
11:45, she clambered in, tripped, and dropped the contents
of her briefcase all over the floor. I liked her right away.
After repeating a dozen or so apologies, she got her salad, and we ate
and chatted. She wanted to know all about
my book. She shoveled in the romaine while keeping intense
concentration on how I'd mapped out a plan to get my series
on the New York Times Bestseller List for children's titles.
Our conversation was polite and to the point, yet separated
by that thick slab of business ice that takes several luncheons
to chisel away. But somehow that area of town came
into the conversation, and I mentioned that my daughters
took classes at the dance studio down the street. What a
coincidence! Her daughters danced there too. After telling
her my children's names, it turned out that my older daughter
had given private lessons to her daughter, and that cold
ice wall melted faster than the Wicked Witch of the West.
Chit-chat and small talk over, she took out her cost schedule and calculator.
What could I get for $400.00? Five screens
at the twenty-four
screen complex for
two weeks. Just five
screens? "But we can
do better than that," she assured me. Better meaning more
screens at a discount.
She consulted number
tables on preprinted
forms, and diligently
punched the calculator
keys, muttering
things like, "Ten
screens...fifteen percent...
additional discount," and finally, "Here's
what I can
do." She turned the
paper around and
flashed a Dale Carnegie smile. Twelve screens. Two weeks.
$907.20. I didn't smile back. That was more than double the
$400.00 check I'd plan to write. But really, what good is five
lousy screens? And I didn't get to select on which screens it
would show. How could I be sure it wouldn't end up in five
auditoriums with R-rated movies? I needed kids to see this
ad. I repeated my mantra, Promoting book one is promoting
the whole series. Okay, why not? This was March. My book
was due out in September, and I'd picked the two weeks
around Thanksgiving break for my ad to run. That was prime
time. The new releases for that November were The Santa
Clause 2, Eight Crazy Nights, and of course the biggie,
Harry Potter And The Chamber Of Secrets. With twelve
screens, thousands of kids would see my ad. She assured me
that I didn't have to write the check right them. I could pay out
the ad, making the final payment in November. I could
handle that. We sealed the deal, then she mentioned the $225.00
setup fee for the production crew to make my ad. Gulp! What
the heck. This was my dream. My big promotional moment.
The first step to the New York Times Bestseller List.
That summer we got together to design the ad. That was fun. I pretty much
had full reign. I'd never designed
an ad before, but I knew exactly what I wanted, and she
didn't argue a bit. She collected the setup fee, and promised
that within a few days I'd get an email with my ad graphic,
and a chance to approve or make changes. The email came,
and like my manuscripts, I got a critique from other children's writers.
Nope. This one wouldn't work for various
reasons. I made the changes. Nope. Let's try again. Uh-uh.
I finally printed it out and took it to a friend of mine who sold newspaper
ads for a living. She quickly scratched and
marked, and I was now armed with the best ad that cinema
patrons would ever see. It'd blow them right off their sticky
seats. Approved!
I went about my business for the next few months -- book launch, signings,
sending out postcards. November
came at last. I carefully chose my movie time because my
ad was only running on one side of the cinema complex,
and I didn't want to buy a ticket that would stick me on the
other side. This was just too important to leave to chance.
I was assured that the movie time I'd picked for Harry
Potter And The Chamber Of Secrets was in Theater 12,
my side. I sat intently, afraid to blink. I waited. I worried.
What if they hadn't delivered the slides on time? What if
they'd put them on the other side of the theater instead?
What if they didn't place it correctly into the projector, and
my book cover was upside down or cut in half? What if -- There
it was! My book cover. Bigger than me. Bigger than Hollywood. Bigger than
life. And for a full eight seconds
(give or take), it took my breath away.
I only got to see my ad one other time during that two week period. I'd
planned to set up a movie date with all
my friends, show up thirty minutes early, and beam with
excitement as they all cooed over how fantastic it looked.
But November is a busy month, particularly around Thanksgiving.
That never happened. A few friends did tell me later
that they saw it.
Promoting book one is promoting the entire series. That's probably
true, but to the tune of $1,132.20? For that amount
I could have taken out an ad in the Entertainment section of
a major newspaper or magazine. In retrospect, would I do it
again? Probably not. Am I glad I did? You bet!
|