| After
the Ball: The 33rd SCBWI Annual
Summer Conference Report
by Michelle Parker-Rock
"This year, it's all about glitter," said
SCBWI president, Stephen
Mooser, at the 33rd Annual Summer Conference in Los Angeles
where sparkle-osity was the word for nearly 1000 attendees. "Of
course," said Executive Director, Lin Oliver, "the highlight
of the conference is the faculty." And this year's teaching
staff glistened. Beginning with lustrous words like corazon, delphinium,
twirl, and
courage, the faculty exhaled effervescence with every expression.
On Friday
morning, Karen Cushman sparked our attention. "I'm here to tell you
a story," Cushman, the author of Rodzina, told the audience. "I love
what I do. I write because it's my dream job. During revising and editing,
I
learn a lot about patience and telling the truth."
Poet and author of Bronx
Masquerade, Nikki Grimes, said she believes in the power of story.
Like iridescent jewels, she layers her stories so they work on many different
levels. "Young readers deserve manuscripts that are rich and complex and wrought," she
said.
After lunch, Wendy Loggia, Executive Editor at Delacorte Press, suggested
that writers construct brief story descriptions like the ones editors write
for the back covers of books. Blurbs should radiate with zing. This process
can help writers focus on their work.
Later in the day, G. Brian Karas
illuminated the stage with his versatile art. "As artists, we should think
of ourselves as works in progress," said the illustrator of Atlantic.
When Karas opens a book, he doesn't want to see his work. He wants to
see a
seamless picture book where the artwork fits the tone of the book and
goes beyond what the words are saying.
That evening, as the glimmering sun descended
in the west, friends and family gathered at a memorial service for Paula
Danziger. Her spirit will gleam forever in the hearts of those who knew
and loved her.
On Saturday morning, Executive Editor at Scholastic and author of Boy
Meets Boy, David Levithan, beamed. "I'm here because
I believe in teen literature," he told the audience. Levithan said
there is a rise of new authors and the body of teen literature is energized
once again. "We are living in an age now," he said, "where
teen literature is being embraced."
Alessandra Balzer, Executive Editor
at Hyperion Books, vibrantly told conferees that a book is a collaboration
between the author and the editor. "Don't be afraid to take risks and write
what you feel passionate about," she said. "Be honest and talk directly
to kids."
"Editors separate the wheat from the chaff and publish the chaff," said
Gordon Korman, author of Son of the Mob. What appeals
to one editor, he pointed out, may not appeal to another. "Find an
editor who likes your mishagoss," he said. Korman's glint is
generally humor. "I suppose my message is lighten up. I want kids to
have a good time with my books."
Bruce Coville, author of Juliet Dove, Queen of Love, offered
shining advice when he took the stage after Saturday's lunch break. He
reminded writers
to tell
stories that are fixed so vividly that people must pay attention to them.
Make sense of not just what you write
but of yourself. If there comes a time as a writer to jump off a cliff,
jump. You may crash. But if you don't jump, there will be no wings. "We
write because we have a passion for it," he said. "Our world
is
the stuff that dreams are made off. What more could we ask for?"
Literary
Agent Jodi Reamer shared polished points for managing a career. "The best
way to do this is to establish a brand," she
said. The author-agent relationship must be a good match. "Do your
homework," she advised.
Moderator, Arthur Levine, asked panelists Libba
Bray, A Great and Terrible Beauty; Melinda Long, How I Became
a Pirate;
Billy Merrell, Talking in the Dark; and Lisa Yee, Millicent
Min, Girl Genius, "What have you learned?" They responded while
basking in the glow of their recent success. "Put your butt in the chair," said
Bray. "Diligence pays off," said Long. "Write about things you care
about," said Merrell. "Make time for yourself," said Yee.
Saturday concluded with the Juried Art Portfolio Exhibit. Then conferees,
already all aglow, glittered up and strutted their razzle dazzle at the
one and only Glitter Ball.
On Sunday morning, with telltale glitter still
on their minds, attendees graciously greeted Connie Epstein, the New York
contributing editor for the SCBWI Bulletin. Epstein delivered her yearly
market report.
Author/illustrator Barbara Seuling shared shimmering memories of her
work with children's writers in Moscow. She coaxed them to remember what
it
was like to be a child. Their stories came from deep within. The author
of Oh No, It's Robert urged conferees to write about interesting situations
that are surprising and fun and to include humor, action, and opportunities
to savor the language. "I believe," said Seuling, "that you can teach
technique, as well as how to see like a child."
At Sunday's luncheon, recipients of the Golden Kite Awards and Honors
shone in the afterglow. Donna Jo Napoli, Robert Byrd, Carmen Bredeson,
Amy Timberlake,
Jacqueline Briggs Martin, Loren Long and Yuyi Morales were on hand to
accept. Jerry Spinelli will accept in New York.
Richard Peck appeared luminous as he accepted the honor of SCBWI Member
of the Year. And there was a twinkle in Lisa Yee's eye when Sid Fleishman
presented her with the Sid Fleishman Humor Award for her novel, Millicent
Min, Girl Genius. Member William Swain won Overall Best in Show
at the Juried Art Exhibit.
Donna Jo Napoli, author of Breath, breathed sparks
into the topic of research. "Research is the bones of your story," she
said. "But it is not the blood. Your reader wants the blood. Your reader
wants the emotions. Your research is there so that your reader can
feel the emotions."
Early Monday morning, Senior Editor at Dutton Children's books, Mark McVeigh,
took the stage and gave a glowing talk about five groundbreaking books.
Little Bear; Where the Wild Things Are; The Contender; I'll
Get There, It Better be Worth the Trip; and Weetzie Bat made his list.
Jon Scieszka
blew the house down with his bedazzling humor. "Don't believe anything
you hear, including stuff from me," said the author of Math
Curse.
On a more serious note, Scieszka reminded the audience to read and devour
everything they can. Picture book writers should "Get rid of half
of it," he said. And all writers, he suggested, should save their
rejected stories. They may one day become published books.
Libba Bray charmed conference attendees with her shining pearls-of-humor
and colorful confessions. "I've never been in
a formal writing program," said the author of A Great and Terrible
Beauty. Bray confessed that she spent years in a variety of jobs. "I didn't
set out to write for teens," she said. She worked for
a book packager, where she learned about plot, character and
deadlines. This job led her to the editor of her young adult novel.
But writers cannot duplicate a road taken by someone else. "What is not accidental?" asked
Bray. "The work."
" Ladies and gentleman we have gathered for the greatest cause; that
is, to create something out of nothing," said author, Richard
Peck. Peck believes that we are in a golden age of young-adult literature,
and that books give readers the support that their peer groups
never can. Peck cautions us not to resort to pornography to cover up
weak writing. "It is not enough to write books," Peck told the
audience. He believes that our job is to prove the power of the English
language and its infinite possibilities. "Childhood is not a garden;
it is a jungle. And our books must provide roadmaps through the jungle.
We've all seen how easily the illiterate are led. Our most important job
it so show the literate young the way out of town."
The conference
ended with a Glitterati-Literati-studded autograph party. Conferees were
seen leaving the scene with armloads of books, following trails of glitter
that headed east in the direction of the 6th
Annual Winter Conference set for February 5 and 6, 2005. And if
the glitter runs out, don't worry. They say the streets there are lined
with gold! |