The definition I've heard is this: A "high concept" book has a clearly defined marketing hook that often can be explained by its title alone, like THE BOOK WITH NO PICTURES or WE ARE IN A BOOK or the forthcoming LOVE, TRIANGLE.
Ha! As a PB author, you'd think this would be an easy topic but for some reason it is 't. One thing is that I am trying to get three things into one book that may not be possible. 1) high concept 2) character driven 3) series potential.
It's not a requirement that it be linked to the title. That's just one way of thinking about it. High concept is a idea that's easy to describe quickly.
That's what I was thinking, too, Anne Marie. I've heard it described as hitting on several different themes/concepts at once in an unusual way, which perfectly fits Shark Vs Train, even if it were called something different.
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