Washington Post weighs in:
http://www.washingtonpost.com/wp-dyn/content/article/2006/05/01/AR2006050101272.html
The fact that her original manuscript was darker makes me think maybe she wasn't instinctively writing chick lit like they were asking for, so she went out of her way to add things from all these chick lit books into it to make it sound more authentic as chick lit.
I don't get the whole thing. I mean, I don't get the idea of giving someone $500,000 because it looks like they might be able to write! I can write and editors have even told me so, yet no one is giving me a penny until I actually have a good book written and polished. I guess it's just the idea of marketability--with the story mirroring her own story as a girl on her way to Harvard, she had a hook they couldn't resist. But it really makes me wonder about Little, Brown! I hope at least in the future, reputable children's publishers will think twice about shelling out big bucks without a strong book already written!
But I am glad the publisher is pulling the book. I couldn't believe they were backing her up after the first accusations even before examining the facts. When you make an official statement that you're confident the allegations will be false when you haven't even checked into them yet, you're saying you don't care about the facts. I'm glad they changed their minds. I don't think the rules should be any different for young writers or writers under a lot of pressure than for anyone else. And it seems to me that if you're taking $500K for your writing, you have an especially strong responsibility to make sure your manuscript is worth it. (Hmm, maybe that was the idea...to use proven best selling text!)
I do agree the publishers & the packagers should be ashamed of themselves, though. They worked with her way too much to throw it all on her now... and you'd think with those other books being so popular, someone might have noticed it along the way! Has anyone read it? I would think that even if you didn't remember those particular passages from other books (and some are memorable, I think), you might notice places in which the voice and style suddenly changed. On the other hand, with so many cooks stirring the broth, it may have all been cobbled together by many different writers and editors with different voices anyway.