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A Rhyme Primer

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Why do so many editors ask us not to send rhyme?

Here's a link to a sticky thread already on these boards which explains the many ways rhyme is done poorly.
https://www.scbwi.org/boards/index.php?topic=14603.0

Rhyme is harder to edit than prose.  If a word in a prose passage is a little off, the editor suggests another word. If a word is off in a metered passage, often the whole line or stanza needs to be replaced.

Consider the near rhyme in the thread above. To fix it, the editor would need to suggest another phrase, like this:     
The rain comes gently falling down
Misting o'er the lonely town.
 
But if the poem isn't about a town, another complete line or verse could be necessary. The whole story may have to be revised so the action in the offending stanza still belongs within the larger story. After all, in picture books, story comes first.
 
How can we learn to write perfect meter and rhymes?

Here are some links that may help.

Tutorials:

www.dorichaconas.com
http://www.writingrhymeandmeter.com/
http://www.creative-writing-now.com/poetry-meter.html
http://www.underdown.org/mf-rhyming-picture-books.htm
https://www.underdown.org/mf-rhyme-and-meter.htm
http://www.kidlit411.com/2015/04/Free-Rhyme-Meter-Clinic-Renee-LaTulippe.html
http://rhymeweaver.com/
https://picturebookbuilders.com/2020/07/meet-federico-and-the-wolf-a-master-class-in-metered-rhyme/

Recognizing Rhythm:
http://prosody.lib.virginia.edu/ - this site also contains a glossary of poetry terms.
http://learn.lexiconic.net/meter.html
http://www.poetry4kids.com/blog/news/rhythm-in-poetry-the-basics/

Rhyming Dictionary:

http://www.rhymezone.com/
There are many other such dictionaries online. Try them to see which you like best.

General Poetry Instruction:

https://www.howmanysyllables.com/

Sample Books with Great Meter and Rhymes (plus some reminders of what's been said above):
http://www.carriecharleybrown.com/reforemo/reforemo-day-4-sudipta-bardhan-quallen-rocks-rhyme
This list contains a book where the author has broken with meter on purpose. Change your meter on purpose and for a story reason.

Why are slant or imperfect rhymes and unnatural phrasing acceptable in work for adults?

Adults understand poetic license. They know the conventions of language well enough to recognize when and why an author may have chosen to break them. A young child is still learning what it means to rhyme and how the language works. Therefore, breaking with convention is more likely to confuse the reader and pull him or her out of your story. Some adult book buyers may also see these as setting a poor example for the young reader.

 
To summarize, poetry for children needs to use natural language with perfect rhythm and rhymes while maintaining all the elements of good writing found in prose for children. It's a tall order, but when done well it will sell.

Books for further learning:
POEM MAKING by Myra Cohn Livingston
ALL THE FUN'S IN HOW YOU SAY A THING by Timothy Steele
THE POEM'S HEARTBEAT by Alfred Corn
THE ODE LESS TRAVELED by Stephen Fry
RULES OF DANCE by Mary Oliver
 
#1 - June 12, 2015, 09:22 PM
« Last Edit: July 31, 2020, 06:22 PM by Debbie Vilardi »
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Thanks Debbie for the great links! I did find one (2nd one under Rhyming Rhythm) that didn't work. Not sure if it's because I'm using my phone not computer? Good stuff!!
#2 - June 13, 2015, 04:20 AM

Thanks for gathering these great resources, Debbie!

I just want to add that, while children's poetry does tend to be a lot more regular than adult poetry, it is possible to use near rhymes occasionally. For example, the highly successful ROSIE REVERE, ENGINEER (a rhyming pb) has a few near rhymes, as I recall. And there are many other examples. DINNER AT THE PANDA PALACE also comes to mind. That being said, the work needs to be solid (as in the above examples) and you don't want it to seem like you're using near rhymes out of laziness.

I also want to note, for those starting out, that it's important not to rely on counting syllables. The syllable count can vary without ruining the meter.

I agree that Dori's "Icing the Cake" is an excellent place to start learning about writing in rhyme.

And I love that Timothy Steele article and his whole book, "All the Fun's in How You Say a Thing". He goes into great technical detail. (Here is the new link, by the way: http://learn.lexiconic.net/meter.html)
#3 - June 13, 2015, 06:10 AM
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Dori's site has been so helpful to me. I also wanted to add Verla's site. Her Rhyming Right is an excellent resource. Not sure if the link is already on these boards but here it is
http://www.verlakay.com/On_This_Site/Writers_Artists/.  There is a link to transcripts from workshops and one is from her Rhyming Right workshop.
#4 - June 13, 2015, 07:57 AM
« Last Edit: June 13, 2015, 08:16 AM by murphy44 »

That's a great resource, Debbie!

And Diana you are so right on counting the syllables. So many people get hung up on that. I also agree on the near rhymes .. they should be spare .. but if the story is really strong, I think they go by un-noticed.
#5 - June 13, 2015, 09:00 AM
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Rhythm matters way more than rhyme. If you have one or two slant rhymes, but the read is beautifully smooth, you may get away with them. Llama Llama Red Pajama has a slant rhyme or two also if I recall. Using them is a risk though. Many editors are leery of taking a chance on a new author, so make sure you are in control of the writing and not being lazy about those rhymes.

Here's the link to the actual discussion from Verla's site: http://www.verlakay.com/protalk11.html
#6 - June 13, 2015, 04:24 PM
« Last Edit: June 13, 2015, 04:28 PM by Debbie Vilardi »
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Can somebody please provide an example of how " The syllable count can vary without ruining the meter" as  DianaM mentioned? My internet searching on this subject is not providing anything useful... thanks!!
#7 - August 24, 2017, 08:56 PM

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Leonie, the most crucial thing with meter is the stressed syllable. I took a course called The Lyrical Language Lab (the best course I have ever taken) and her motto was "Don't Mess with the Stress." So at times, you can actually drop an unstressed syllable, especially in the beginning or end of a line as long as you don't drop the stressed syllable or stress the wrong syllable in the word. Those are "Rhyme Crimes."

I'll see if I can find examples of some lines that have a different syllable count but don't mess up the meter and post later today.

Just in case you are interested, here is a link for The Lyrical Language Lab.
http://www.reneelatulippe.com/writing-courses/

Her classes fill up fast and cost $, but I found it worth every cent. The links given earlier in this thread are fantastic, though, and free. :-)
#8 - August 25, 2017, 08:11 AM
Freaky Funky Fish ( Running Press Kids, May 2021)
Tell Someone (Albert Whitman, October 2021)
Peculiar Primates (Running Press Kids, October 2022)

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What a wonderful list of resources!

I've only written one rhymer, MARY HAD A LITTLE GLAM. Rhymeweaver. com was my go to site.
#9 - August 25, 2017, 10:46 AM
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Leonie, I just sent you a private message with a first page from a rhyming book called "Surfer Chick." I wasn't sure if I could post it here since I used three stanzas straight from the book, but you'll see where one line has one less syllable but it works because the stresses are the same in the repeating pattern. Let me know if you didn't get the message!
#10 - August 25, 2017, 03:45 PM
Freaky Funky Fish ( Running Press Kids, May 2021)
Tell Someone (Albert Whitman, October 2021)
Peculiar Primates (Running Press Kids, October 2022)

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dkshumaker, I was unable to reply to you directly using pm, but thank you so much for sending me that example! I am beginning to understand now how meter is more versatile than I once thought. And the way you were able to break it down for me is exactly what I needed to see. Very helpful! And thank you for the additional resources, dkshumaker and Tammi!
#11 - August 26, 2017, 12:26 PM
« Last Edit: August 26, 2017, 12:30 PM by leonie-lueddeke »

Wow! Thanks, Debbie!
#12 - November 10, 2017, 08:20 AM
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Hello,
I am very new to SCBWI and learning how to navigate all of the resources on the website.   I have written a picture book manuscript in rhyme, however I am beginning to second guess myself because of the difficulty of getting rhyme right.  Is there some place or a group that will help critique others work?

Thank you!
#13 - February 09, 2020, 03:33 PM

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Hi, Susan. There is a board called Online Critiques under SCBWI Members Only. Here is the link: https://www.scbwi.org/boards/index.php?board=121.0
You can post your manuscript there, and ask for help.

#14 - February 09, 2020, 04:10 PM

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Hello writers!
Forgive me if this has been discussed already or elsewhere, but are there particular publishing companies or literary agents that are known to have a penchant for unsolicited rhyming picture books? I have completed my second rhyming picture book (first one has been accepted for publication and will be out in March 2021 but the publisher only deals with certain subject matter and this second manuscript does not fit the bill) and am having trouble finding where/who to send it to.  Any leads would be appreciated! Thanks in advance.
#15 - June 27, 2020, 07:32 PM

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Hello writers!
Forgive me if this has been discussed already or elsewhere, but are there particular publishing companies or literary agents that are known to have a penchant for unsolicited rhyming picture books? I have completed my second rhyming picture book (first one has been accepted for publication and will be out in March 2021 but the publisher only deals with certain subject matter and this second manuscript does not fit the bill) and am having trouble finding where/who to send it to.  Any leads would be appreciated! Thanks in advance.

It's probably easier to find people who don't want rhymers. Some do specify that, but the truth is they might even take a perfect rhymed manuscript. (In this case perfect equals true rhymes and spot-on meter, correct for the age group, marketable theme/topic, characters to believe in and follow, a strong hook, no extra words or convoluted language, and a great story.) You might try looking at recent rhymed books and see if you can find out who repped the authors or was their editor. Really, you can try anyone who does not say no to rhyme. Good luck.
#16 - June 28, 2020, 05:44 PM
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Thank you!
#17 - June 28, 2020, 05:49 PM

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Leonie, I just sent you a private message with a first page from a rhyming book called "Surfer Chick." I wasn't sure if I could post it here since I used three stanzas straight from the book, but you'll see where one line has one less syllable but it works because the stresses are the same in the repeating pattern. Let me know if you didn't get the message!

Hi dkshumaker, I just came across this and wondered if you could possibly send this example to me too? Thanks so much, Jane

Hi dkshumaker, thanks so much for the message, very kind of you. I tried to send a direct reply but it would not allow me to, only to post on here.  Thanks again :-)
#18 - July 01, 2020, 03:51 PM
« Last Edit: July 02, 2020, 09:13 AM by jane-dimond »

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I don't particularly try to write in rhyme, but my latest picture book was in rhyme -- it just seemed to fit. I suppose I'm lucky that the editor was willing to look at it. I do think you have to pay close attention to perfect rhyme and spot-on meter to get anyone to look at your work.
#19 - July 02, 2020, 02:25 PM
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I've added a link and removed some old ones from the original post. Happy writing.
#20 - July 15, 2020, 06:48 PM
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This blog post is SO helpful if you are interested in writing in rhyme!
https://picturebookbuilders.com/2020/07/meet-federico-and-the-wolf-a-master-class-in-metered-rhyme/
#21 - July 31, 2020, 06:25 AM
Freaky Funky Fish ( Running Press Kids, May 2021)
Tell Someone (Albert Whitman, October 2021)
Peculiar Primates (Running Press Kids, October 2022)

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Thanks, Deb. I added the link to the tutorials above.
#22 - July 31, 2020, 06:22 PM
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Rhyme Zone helped me immensely! I am an Indie author/illustrator, but I didn't work with a professional editor until my second children's picture book. The difference (and the quality of writing) is very clear between the two books. She helped me understand that it is not just syllable count, for example, that is so important for each line. Rather, the stressed/unstressed syllables being executed perfectly is what matters. 
#23 - August 02, 2021, 12:59 PM
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Thank you, Debbie! These rhyming resources are terrific!
#24 - July 26, 2022, 07:56 PM
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Thank you, Debbie! These rhyming resources are terrific!

I'm glad people are using them.
#25 - July 27, 2022, 06:21 PM
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Thank you for the helpful information.  :yoda
#26 - September 03, 2022, 08:56 AM
Great to learn from everyone

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